For e-books, many of the
appeal factors remain similar such as the story line, characterization, and
writing style. Since the reader is reading the same words as in the physical
books, these appeal factors generally remain steadfast. Where the difference
lies within e-books is that of pacing and tone. With e-books, readers can
adjust the size of the text, which is a great addition for those with poor
eyesight who need larger print. However, according to Dunneback & Trott
(2011), “Pacing is also affected by how much text is visible on the screen, so
the larger the text, the less there is to indicate how quickly the story is
moving (p. 328).” The authors indicate that richly detailed stories will have
larger chunks of text, while quick-witted dialogue will appear shorter on the
page. This same tool of adjusting the text size can affect the tone as well.
When a novel is gripping and a scene creates a specific tone, the tone can be
diminished due to the large number of times that a reader has to pause to turn
the page. It may seem minute, but if a scene takes 5 pages in a physical book
to get to the climax but takes 10-12 pages in an e-reader due to text size, the
brief pauses can decrease the impact of that climactic moment.
Pacing is also affected by
the fact that readers do not have a visual way of seeing how close to the end
they are. Many e-book software will give a page number or percentage completed,
but it does not inspire faster pacing compared to physically seeing the small
number of pages remaining in a text. In my own experience, I have noticed that
when I read e-books, it takes me longer to finish a book than when reading a
physical book of the same genre/author because I subconsciously look at the
amount of pages left in a book or chapter and feel that I continue. Whereas
when reading an e-book, the percentage complete indicator doesn’t inspire the
same zest for finishing the story.
Audiobooks, even more so than
e-books, can change the appeal factors of a novel. The appeal factors of
characterization, tone, pacing, and frame are all affected through the implementation
of a fifth appeal that is specific for audiobooks: audible presentation. According
to Mediatore (2003), “The most significant element of appeal for a recorded
book- audible presentation- takes into account how all of the above appeal factors
blend together when narrated for a recorded book (p. 319).” The way a narrator
interprets and presents the story can either increase or decrease pacing or lighten
and darken tone, as well as developing believable characters. If the narrator interprets
the authors intentions in a different manner, readers may experience the
appeals in a completely different way than if they were reading the physical
book. Choosing the right narrator is always an important step with working with
audio books.
In addition to how the
narrator drives the appeals, pacing can be slowed because of how the tracks are
set up. I have had patrons in the past who wanted to listen to a novel but saw
how long the entire thing lasts (usually around 7-10 hours) and choose to go
another route, sometimes even checking out the physical book instead. While both
the physical book and audiobook will usually take the same amount of time, the blatant
length of time on the audiobook can deter people from choosing this format or,
if they do choose this medium, it may seem like the pacing is slower than if
they were physically reading the story.
Electronic resources, such as
e-books and audiobooks, are becoming a staple in library collections. More people
are living busy lives and want novels that are portable to take with them,
which both e-books and audiobooks can accomplish. Therefore, it is important for
librarians to develop an understanding of the way appeals are represented in
these mediums and what appeals, such as audible presentation, are important to
the mediums individually.
Resources:
Dunneback, K. & Trott, B.
(2011). E-books and readers’ advisory. Reference and user services
quarterly,
50(4):325-329.
Mediatore, K. (2002). Reading
with your ears: Readers’ advisory and audio books. Reference and user
services
quarterly, 42(4): 318-323.
These are all good points. The choice of narrator and matching the narration style to the book is crucial. While a bad book won't necessarily be made good by the narrator, it can be made better, but only by so much! The choice of voice is important; I can't listen to the audiobook for "Ready Player One," a favorite of mine, because I can't stand Wil Wheaton's voice, much to my dismay. I wish the recordings made for the National Library Service's Talking Book Program were made available to the general public, as those narrators are fantastic. It's a shame most of us will never hear their great work.
ReplyDeleteThat is a bummer, I would love to hear some of those narrators!!
DeleteExcellent insight! You make some really good points and tie it in well with the resources. Full points!
ReplyDelete